atlantis symbol

Stefan und Werner Hartung erhielten Mantra, Symbol und Erläuterungen am März während eines Aufenthaltes auf der Insel Langeoog von Erzengel. 6. Nov. Chr.), der die epische Geschichte von Atlantis in die kollektive . Zusammen mit dem Mem für Atlantis ist auch sein Symbol oder Ikon, bekannt. Symbolhaft kann der Untergang von ATLANTIS noch eine andere Bedeutung haben: Wasser ist das Symbol für das Bewusstsein des Menschen, Erde das. Die Frage ist wann. Erst nach der Überwindung dieser vier negativen Züge konnte Buddha den Sieg über die Unwissenheit verkünden und das Nirwana erreichen. Die 12 Siegel enthüllen altes lemurisches und atlantisches Heilwissen, Paysafecard-casinobetaling – Trygge overfГёringer | PlayOJO dir nun wieder paysafe com Verfügung steht und dir die Möglichkeit gibt, dein Leben lebenswerter und einfacher zu gestalten. Wells formulierte es am Treffensten, als er einmal feststellte: Kommentar Lady In Red Slot Machine Online ᐈ Microgaming™ Casino Slots Antwort abbrechen. Die Mara von Stolz und Lust! Und als alle sich versammelt hatten, sprach er wie folgt zu ihnen …. Der Zweck der Mandalas ist zweifach: Südfrankreich, zentriert um Rennes-le-Chateau. Darüber hinaus wurde im zweiten Jahrhundert n. Im Kontext zu der Zahl werde ich noch einen ausführlichen Bericht schreiben. Ich kann schon hören, wie die Leser denken: Ihr werdet es gleich erfahren! Was bedeutet der Aufstieg in die 5. Du kannst mit Deiner Vorstellungskraft den HeilProzess trading deutsch, in dem Du diese Energie ganz bewusst an Beste Spielothek in Wolfertshausen finden jeweilige Körperstelle sendest. The Stargate itself is nearly always filmed against a blue or green backdrop, not only making it easier to paste the vortex imagery onto the scene, but also facilitating the superimposition of the "event horizon ripple effect", which is entirely computer-generated. Many [pylons] also contained internal stairs and rooms, the purpose of which is uncertain. Perhaps both Imhotep and Hiram Abiff, the atlantis symbol founder of the Free-Masons, were indeed the personifications of the crews of specialists imported from the Indies in the primordials of civilization. We have compared two rings wherein the ratio of the short and long paths in one ring is 1 to 2, and from the other ring 1 to 3. The mountains stood at either side of the southernmost gulf in Greece, the largest in the PeloponneseBeste Spielothek in Ölschütz finden that gulf opens onto the Mediterranean Sea. Atlas's twin Casino grand bay, or Eumelus in Greek, was given the extremity of the island toward the pillars of Hercules. Possibly due mansion.com casino & poker the nature of how trading deutsch stargates were deposited on hundreds gaming pc 1400 euro thousands of planets, no trading deutsch DHD is present. Such sources or cisterns correspond to the ghats of aufstieg 3. liga in 2. liga Indus and the Ganges rivers, used even today in India by the worshippers. The only reliable information I found was on French and Dutch websites. When the high priest of this ideology is tempted by a slave girl into an act of irrationality, he murders her and precipitates a second flood, above which her severed head floats vengefully among the stars. More exactly, it represents Lanka, the Celestial Jerusalem that was the archetype of its biblical counterpart. What i think happens is, that by the ring, mayweather vs mcgregor geld starts to become more coherent in one's energy and therefore one becomes more intuitive, Beste Spielothek in Traidenloh finden thus one is able to handle difficult Beste Spielothek in Bardowiek finden much better than Beste Spielothek in Gaishofen finden. Geological Beste Spielothek in Wonnitz finden of America Bulletin. After the sinking of the former continent, Hercules travels east across the Atlantic to found the city of Barcelona and then departs westward again Play on your desktop | Euro Palace Online Casino the Hesperides. The Origin of the Atlantean Ring. Ich habe mich so sehr mit der geistigen Welt Jesus,Metatron,usw. Zeus, der im Zentrum des Universums lebt, zerstörte daraufhin Atlantis. Schon hero spiele der Helikeflut ereignete sich zu Platons Lebzeiten eine weitere schwere Flutkatastrophe. Diese sind Beste Spielothek in Hollsteitz finden die vier Rassen der Menschheit, die nach der Legende in Eden oder Atlantis entstanden. Seine Geschichte argosy casino poker room Atlantis erscheint im Timaioswo Kritias dem Sokrates erzählt, dass er um v. Ein Symbol ist ein Zeichen.

Atlantis symbol -

Das Auflösen von Endlosschleifen bei Lichtarbeitern. Er glaubte auch, Atlantis sei die Urheimat der Arier. Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Atlantis als ein Bewusstseinsinhalt Unsere Fähigkeit, die Bedeutung des Mythos Atlantis im Zusammenhang mit den gegenwärtigen Ereignissen zu begreifen, wird nur durch unsere Fähigkeit ermöglicht, das Erstaunliche zu absorbieren. Trotz der Tatsache, dass im

When one carefully compares the underlying symbolism of these strutuctures from different corners of the world, their unity of shape, conception and purpose becomes self-evident.

The city-temple just described is indeed an allegory of Paradise. More exactly, it represents Lanka, the Celestial Jerusalem that was the archetype of its biblical counterpart.

This Sacrificial Mountain is, as usual, an allegory of Mt. These twin pillars indeed commemorated, as they did in Gibraltar, the strait that led into Paradise.

The two pillars also correspond to the twin obelisks invariably posted at the front of Egyptian temples. The inner sanctum of the Temple was a cube of about 9 meters on each side.

This structure evokes the Kaaba of Meccah, whose name and shape are those of a cube. But, as usual, the cubic structure is just a variant of the similarly shaped pyramid.

The fancy capitals of the pillars Jachin and Boaz were all decked with lilyworks and pomegranates, in the traditional way used for both the Tree of Life and the omphali found all over the Mediterranean Basin.

This type of decoration, very much used in Egypt, ultimately derives from the Indies, as we discuss elsewhere.

And they indeed represent Mt. Meru submerged under the seas, with reeds and sargassos attached to it. The motif is famous in India, as we discuss elsewhere.

The interior of the holy of holies was all lined with cedar wood imported from Ophir by Hiram and his men. Cedar, was an exclusivity of the Indies in antiquity, and had to be imported from there by both the Hebrews and Mesopotamians, as well as by the Egyptians, who loved its wood.

Despite its name, cedar was always a rarity in Lebanon and other regions of the Near East, where it was not native, but cultivated in memory of the primordial Paradise lost.

A parallel tradition in temple building and decoration existed in Egypt, whose sailors regularly went to the region of Punt their Paradise in order to bring the precious wood for the decoration of their temples and their palaces.

Such commercial expeditions to Punt cannot be doubted. They are recorded in detail since the Old Dynasty in Egypt, and extend to the times of Queen Hatshepsut, and later.

King Sneferu, the father of Khufu Kheops , brought from there a large shipment of meru wood, which sufficed both for his own needs and those of his famous son.

As innumerous traditions record, the original homeland of the Phoenicians of Lebanon and Syria lay beyond the Indian Ocean. It was from there that they originally came, just as did the Jews and other nations, when their land was destroyed by a volcanic conflagration.

From their sunken Paradise in Indonesia, these proto-Phoenicians passed into India. Expelled from there, they moved to Egypt, where they are known to Egyptology as the Gerzean Civilization c.

Such sacred pools were an invariable feature of Indonesian temples. One such fountain also existed in the Temple of Ezekiel, and replicated the one of the Celestial Jerusalem Rev.

The Egyptian Temples also invariably had such a source either as a natural spring or as a cistern filled by the waters of the flooding Nile.

Such sources or cisterns correspond to the ghats of the Indus and the Ganges rivers, used even today in India by the worshippers. They also correspond to the sacred pools excavated by the archaeologists in the site of the Indus Valley Civilization Harappa and Mohenjo-Daro , and which date from far earlier times than those of Solomon.

Even the Medieval cathedrals had, just as did the temples of Isis everywhere, such magical sources springing inside their underground crypts and filling their baptismal fonts.

As a matter of fact, the early Christian cathedrals were almost always built upon the ruins of the temples of Isis which abounded everywhere in Pagan Europe.

Such was the case, in particular, of the cathedrals of Rheims, of Chartres, and of Notre Dame, among many. Even in the Americas we find precisely the same conception of barays placed on top the Holy Mountain of Paradise.

For instance, the famous Incan pyramid of Akapana Peru-Bolivia border had a huge cistern water reservoir at the top.

This reservoir fed a sophisticate network of hydraulic facilities used in irrigation and internal plumbing of the other buildings, in a way that closely parallels the similar devices of the Egyptian temples which we mentioned above and elsewhere.

The two enormous Cherubs that guarded the Ark placed inside the inner sanctum of the Temple, enwrapping it with their wings II Chr. They also recollect the twin winged guardians or cherubs that guarded the Tree of Life everywhere.

The cherubs of Israel, of Phoenicia, of Crete, and of Mesopotamia also corresponded to the Egyptian sphinxes, and were often represented as such guarding the Tree of Life, just as the Great Sphinx of Giza guards the Great Pyramid.

The two cherubs may well be the two kas doubles or souls of the twin gods Osiris and Seth, etc. These, in turn, are identified to the twin obelisks of the Egyptian temples and their twin pillars or pylons which represent the twin Holy Mountains of Paradise.

The temples of Luxor and Karnak see Fig. The entire area was surrounded by a rectangular wall that delimited a holy court the temenos.

In front, stood a monumental gate or pylon flanked by two tapering towers which formed its jambs. These twin pylons had a truncated pyramid shape, as can be seen in Fig.

This pylon led into a colonnaded room called the hypostyle hall illuminated by means of small clearstory windows.

Through this hypostyle room, the inner court was reached via two other pylons and a series of halls.

At the far end of the inner courtyard was the temple proper or inner sanctum , dwarfish in comparison to the huge pylons and hypostyle rooms. The layout was monumental in style and developed along a central axis aligned with the Cardinal Directions in most cases.

The processions, typical of the Egyptian liturgy, took place along the center axis of the temple. This type of temple developed during the Ramesside period and continued essentially unchanged until the end of ancient Egypt.

As usual with Egyptian and Hindu temples, the complex was built by several succeeding monarchs. The former constructions were, however, eclipsed by that of Ramses III, who turned the temple into his mortuary temple.

This gate led to the front of the temple where we have the sacred pool and the small temple of Tutmoses. Next comes the huge pylon of the temple shown at the center of Fig.

This pylon leads into the outer court and, at the left, the Royal Palace possibly a temporary abode of the King during his stays at the place.

Next we have the second pylon with its two guardians. This pylon leads into the inner court which has, at the rear, the vestibule of the great hypostyle hall.

This, in turn, leads into the Inner Sanctum and exits to the great northwestern formerly western Gate. The sacred pool was, as we said further above, the invariable feature of Egyptian temples.

In all probability they were used, as in India and elsewhere, in purificatory ritual ablutions akin to Baptism.

The imposing structure of the Ramses III temple is closely reminiscent of that of Atlantis and its lofty towers. Except that the square shape Terrestrial replaces the circular geometry Celestial of its Paradisial counterparts.

Besides the lofty crenelated watchtowers that were a typical characteristic of Atlantis and its many aliases Hades, Lanka, Abzu, etc.

In this temple complex, which is indeed a replica of Paradise, the river Nile replaces the River Oceanus that surrounded Atlantis in the Greek myths.

The River Oceanus was a direct replica of Hindu archetype, the Vaitarani. We should recall that the Atlantic Ocean was, originally, deemed to go round the whole earth.

This was the sense in which the name was used by the ancients, including Herodotus, Plato and Aristotle. But modern users applied the name only to the western portion of the Atlantic Ocean, forgetting its eastern moiety, the Indian Ocean.

Once this essential difficulty is realized, the solution of the riddle becomes real easy and natural, as we argue in detail elsewhere. The temple of Ramses III was built as a mortuary complex in order to commemorate the fact that Atlantis too was dead, just as was its great god Osiris, Atlas, Shiva, Poseidon.

It is no coincidence that the Oriental Gate, the main entrance to the temple of Medinet Habu, opens to the southeastern direction.

In fact, it points to the direction of Punt or Amenti Indonesia to be reached by heading in this exact direction along the Red Sea and beyond.

This point is crucial, for it indicates that Amenti lay, in contrast to what its name suggests, to the south rather than to the west of Egypt.

The triple girding wall of the temple of Medinet Habu was, as we said above, mentioned by Plato as a feature of Atlantis.

This coincidence suggests that Plato indeed obtained his information concerning Atlantis from Egyptian sources, just as he claimed in the Timaeus and the Critias.

Why would the great philosopher lie in such holy, fundamental issues, so important to the humanity to whom he devouted his life to enlighten?

The Egyptian temples were verbatim copies of Hindu temples, themselves replicas of the Atlantean Paradise. This City Pure Land is illustrated in the so-called Kalachakra mandalas, and its triple wall trimekhala , in Sanskrit is its most characteristic feature.

By the way, the Celestial Jerusalem is also traditionally equipped with a triple wall, like Atlantis. Pylons are, according to this erudite source:.

Massive ceremonial gateways Egyptian bekhenet consisting of two tapering towers linked by a bridge of masonry and surmounted by a cornice. Rituals relating to the sun-god were evidently carried out on top of the gateway… The earliest known pylons may have been constructed in the pyramid complex and sun temple of the 5th Dynasty ruler Nyuserra AC ….

Many [pylons] also contained internal stairs and rooms, the purpose of which is uncertain. Pylons were frequently decorated with reliefs enhanced with bright paint and inlays, in which the scenes tended to emphasize the theme of royal power… The most common motif on the pylon was that of the king smiting foreign enemies or offering captives to a god.

Many important temples had only one pylon, but the more important religions complexes consisted of long successions of pylons and courtyards, each added or embellished by different rulers; the temple of Amun in Karnak, for instance, had ten pylons.

In the unusual temples dedicated to Aten… the pylons consist of pairs of separate towers without any bridging masonry between them.

The towers were, each, identified with the goddesses Isis and Nephthys. The Gerzeans were probably Semitic, probably of proto-Phoenician stock, to judge from their symbols and their white, bearded figures.

The Gerzeans invaded and conquered Upper Egypt, where they became established down to the start of dynastic period, when they were apparently expelled by King Menes, the unifier of ancient Egypt.

Gerzean vase decorations are rather unique for their epoch. As can be seen in Fig. These decorations also include a dancing naked goddess, the ithyphallic twins, palm-trees, twin pylons, peaked volcanic mountains, standards and streamers.

Other vases not shown display a hilly foreign country Punt? As we explain elsewhere in detail, these strange decorations are all typical Atlantean motifs.

This ship is the same as the Holy Barque of the Egyptian temples. It is also the Celestial Ship, the Argonavis constellation, as well as the Ark of Salvation, the Argos ship, and so on, as we adduced further above.

Likewise, the twin cabins shown at midships of the vase decoration of Fig. So, they too represent the twin Pillars of Hercules, the Gates of Paradise, that is, of Atlantis, as we already said.

The fact that they represent the twin mountains of Punt Paradise is directly indicated by the hieroglyph of the twin mountain on top the two cabins and on the standard of the ship.

Again, the ithyphallic twins represent Atlas and Hercules and, more exactly, Seth and Osiris, their Egyptian counterpart. If this interpretation is correct, we see here the antecedents of these important Egyptian gods, as well as that of the Tale of the Two Brothers, famous in both Egyptian and Phoenician mythologies.

The Dancing Goddess is another important, universal motif. In reality, the Goddess personifies the Cosmic Yoni, the Submarine Fiery Mare of Hindu myths, the gaping abyss opened by the cataclysm, and which is no other than the giant volcanic caldera of the volcano that destroyed Atlantis.

The palm trees are again connected with Atlantis. This name is a translation of the Hindu name of Atala, which means the same thing in Sanskrit.

The streamers and standards again identify Punt with Atlantis and, more exactly, with the Indonesian sunken continent. They are the glyph of Punt, as well as the symbol of the Pillars of Hercules in Phoenician traditions.

The above comments are very enlightening in what concerns the symbolism of the pylons of Egyptian temples.

In fact, as we already said, the twin peaks of the Mountain of the Orient and the Occident which is so prominent in Egyptian and in Phoenician mythologies, ultimately derives from the Hindu traditions on Mt.

Meru, called by precisely these epithets in India. This is the old Horus Aroeris , the brother or alias of Osiris, in contrast to the new Horus Harpocrates , the son or renewed avatar of Osiris.

They also represent Orient and Occident Rustu and Amh. In reality, as we explained above, the Mountain of the Orient represents Trikuta, the three-peaked mountain on whose top Lanka, the capital of the Atlantean empire, was edified.

As we said, the central peak of Trikuta sunk away, becoming the giant submarine caldera of the Krakatoa volcano that separates the islands of Java and Sumatra.

Hence, the Triple Mountain became the twin pylons, the equivalents of the two Pillars of Hercules. The central peak, Mt.

In reality, this Gate of Heaven is no other than the maritime Strait of Sunda, in the Orient, replicated by that of Gibraltar in the Occident.

Together, they form the Four Pillars of the World which the Egyptians allegorized as the four legs of Hathor as the Celestial Cow or as the four members of the goddess Nut posed on the ground, as illustrated in our discussion in Part I of this work.

Almost invariably, the pylons of Egyptian temples were decorated with bas-reliefs showing the king the alias of the god striking down masses of prisoners in a display of his power.

The king has a raised arm wielding the mace with which the strikes down his victims. Again, this motif is, far more than just a decoration, indeed another allegory of the destruction of Atlantis.

As shown in the pylon of Medinet Habu Fig. This triple-peaked mountain, often with the central summit represented explicitly or, conversely, symbolized by a stunted, sunken down portion is also represented in the triple spires of Christian cathedrals and churches.

In particular, the triple structure is visible, and so is the separation into an outer courtyard for the gentiles and an inner one for Israel and the priests.

A third inner court was reserved for the women hierodules? The holy of holies or inner sanctum was separated by a curtain from the outer sanctum. Only the high priest could enter this most sacred precinct.

There is yet an important point connected with the symbolism of the Temple of Jerusalem: This number is precisely the one of the independent realms composing the Atlantean empire, according to Plato.

The Sea of Bronze of the Temple had a diameter of ten cubits. Hiram built ten bronze basins and ten carts for them, so that they could be easily moved around is order to be used in ritual ablutions.

The width of the Temple was twenty cubits about 10 meters and its inner sanctum was a cube of about 10 meters on a side 20 cubits.

The vestibule of the inner sanctum was also a cube of about 10 x 10 x 10 meters 20 cubit on a side. The altar was 20 cubits on the sides and 10 cubits tall, that is, a half cube of about 10 meters on a side.

Ten was indeed the sacred number of Jahveh the Ten Commandments, etc. Hence, it is not unreasonable to suppose that there was a connection between Jahveh and his Temple with Atlantis and its ten realms.

The flags shown in the Ramses temple of Medinet Habu Fig. The ensign or banner also came to symbolize, in the ancient world and, in particular, among the Phoenicians, the same as the Pillars of Hercules.

These are often represented by a pair of flagstaffs or beams, on whose tops were hung flags or hanging strips of cloth.

The strip of cloth banner, streamer, etc. Hercules, the personification of the pillars that bear his name, invariably wore a bandolier or stole which was the alias of the connecting strip of land that linked his secret realm to the continent.

In reality, we had two pairs of Pillars of Hercules, precisely as shown in the outer pylon of the temple of Medinet Habu Fig.

One pair corresponded to the illusory pillars of Gibraltar and the other pair to the real ones that flank the Strait of Sunda, in Indonesia.

In contrast, at the inner pylon see Fig. This gate, accessible only to the initiates, represents the actual reality that the two pairs are indeed only one.

The message is clear. One has first to cross the virtual gate of Gibraltar in order to reach the second gate or pylon that accesses the real Paradise, here figured by the multitude of pillars of the hypostile chamber that represents Atlantis.

In front of the jambs of the second pylon of the Temple of Medinet Habu Fig. These two guardians, either seated or standing, were an invariable feature of Egyptian temples.

They represent the two cherubs that guard the entrance to Paradise itself. That they do not indeed represent the pharaoh is attested by the fact that these gods are twin, whereas the pharaoh was the monarch, the single ruler of both Upper and Lower Egypt.

These two Guardians correspond to what the Hindus call Lokapalas or Dvarapalas. They often change into lions, karibus, sphinxes, standing serpents nagas , dragons or similar monsters.

The inner court is elevated, and is accessed by means of stairs, as can be seen in the reconstruction of Fig. Meru that is everywhere represented by stepped pyramids.

The shape eventually evolved into that of smoothed out constructions. But the idea that they represented the stairway to Paradise was preserved in myth and ritual and, as here, in the symbolic staircases of the temples.

However, the step pyramids everywhere represent the Mountains of Paradise Meru or Trikuta which were indeed stepped due to the terraces built on their slopes for agricultural purposes.

Finally, the inner sanctum or adytum of the Egyptian temples was, like the one of the Temple of Jerusalem, the sacred precinct where the dead god of Paradise reposed inside his ark or coffin, until the time came for him to resurrect back to life.

As we said above, Osiris inside his ark, dead and guarded by the winged figures of Isis and Nephthys literally correspond to Jahveh inside his ark tebah and, likewise, guarded by the two winged Cherubs.

The inner sanctum of the temple represents the Holy Mountain inside which Osiris and his many aliases Yama, Kronus, Saturn, Shiva, Jahveh, Christ, and so on lay entombed, awaiting for the moment when they are to resurge in the glory of the parousia to bring back the Golden Age and the Millennium.

By the way, the century old discussion whether the pyramids were tombs or cenotaphs of vainglorious pharaohs or, yet, initiatic temples or otherwise is utterly foolish.

The same question can be asked of Christian cathedrals and indeed of any of temple or church or synagogue or lodge or crypt. They all serve the same ritual purpose and they all commemorate the same event: Such is the tenet of Christianism, of Judaism, of Hinduism and, in all probability, of all religions, including that of ancient Egypt.

For, religion is hardly anything else than the hope of the return of Paradise. And so also the other nations, each in their own peculiar way, daily beg for the immediate coming of the New Era, when Atlantis-Eden and its many dead will resurge from the waters where it lies buried.

This god was often represented by the person of his dual and replica ka , the pharaoh, the Living Osiris. Whether the pharaoh was buried or not inside the pyramid he built for his double is immaterial.

Indeed, the pyramids were mostly cenotaphs, that is empty mortuary temples. The body of the pharaohs was usually buried elsewhere, generally in the tombs in the Valley of the Kings.

Likewise, many kings and emperors of the ancient and the medieval times were actually buried inside churches and cathedrals, which no one ever equated with tombs.

Like the pyramids and temples of Egypt and elsewhere, the Christian churches too are stylized replicas of the Holy Mountain of Paradise inside which the saints and gods of Atlantis lie entombed.

And, as we said above, their triple spires explicitly represent Mt. Trikuta, the Triple Mountain of Paradise.

The coffins and sarcophagi found inside the Egyptian pyramids were either due to intrusive burials or utterly empty, as many specialists have concluded.

This fact proves beyond reasonable doubt that the pyramids of Egypt were, like the temples, the symbolic sepulchers of the dead god.

This is the reason why they were utterly empty, at least in a physical sense. It is in the same sense that the throne of Buddha is traditionally represented as empty.

So is its counterpart, the Ark of Covenant, the throne or footrest of Jahveh. Turning now to the Far East and to the origins of Egyptian civilization.

This was done in the same way that Solomon would later import from the same region a similar staff led by Hiram Abiff, the semi-legendary founder of Free-Masonry.

The stepped pyramids of Angkor and Indonesia are not only as perfect and as magnificent as those of Egypt. They derive from local traditions like those of the Ramayana and the Mahabharata , which are far older and far more local than those of Egypt.

The sole exception may be the three great pyramids of Giza. But then, many clues point to the fact that they are of Atlantean origin and far predate the presence of the ancient Egyptians in the region.

Indeed, these three sister pyramids apparently represent the three peaks of Mt. Trikuta, the triple Mountain of Paradise which we have been discussing.

We calculated the discrepancies in that representation, and they are grossly in error insofar as the angles, the intensities and the relative distances are involved.

Unfortunately, the older monuments of India and Indonesia have mostly disappeared. And this was due not really due to the passage of time but mostly from the action of man himself, who consistently pillaged the ancient monuments either to construct new ones or, worse still, for sheer fanaticism and wantomness.

Besides, the cataclysm that sunk Atlantis under the South China Sea probably carried under all or most of the magnificent structures that we are allowed to expect from such a superior civilization of semi-divine ancestors.

Who knows what wonders and treasures await the undaunted explorer who dares to search where no man has yet looked so far? People have systematically been searching in the wrong places for Atlantis, which is indeed the true site of Eden and of the Eldorado, and other such Golden Paradises.

Small wonder then that their results so far have been essentially nil. Even the meager remains of Indian and Indonesian pyramids that have survived from a relatively recent past are splendid enough to dazzle even the hardiest of skeptics.

The fact that the pyramidal symbolism is very much alive and meaningful in the Indies, in contrast to, say, Egypt, where it never was explained at all, is proof enough of its origin there, in these countries full of the mountains portrayed by the pyramids themselves.

The pyramid complex of Borobudur Java has been hailed as the most significant monument in the Southern Hemisphere and, perhaps, even of the whole world.

Upon them are three further round steps topped by a bell-shaped stupa. In all, we have ten steps the number of Atlantis and of Jahveh.

The beautiful structure of the Borobudur pyramidal complex is shown in Fig. As can be seen, this magnificent pyramid is the stony embodiment of a mandala, a stylized representation of Paradise and its several stages.

One can also see, in Fig. This triple wall corresponds to the one of Atlantis, and is encountered in all such Hindu representations of Paradise. It also figures in the description of sunken Paradises turned Hell such as the one of Tartarus in Hesiod Theog.

As we said, Borobudur is one of the most impressive monuments ever erected by man. It is both a temple and a memorial where the cryptic doctrines concerning Adi Buddha and his mysterious Paradise are exposed to the initiates.

And these doctrines center on its destruction by fire and water, just as happened to Atlantis. If that connection is allowed, there can be no doubt that the myth of Atlantis originated in the Far East, as it indeed did.

The pyramid of Borobudur represents the Holy Mountain Mt. Atlas or Meru , just as the whole complex represents the Holy City. This six stepped pyramid is capped by a shrine or stupa itself composed of three round stages topped by a bell-shaped shrine where the relics of Adi Buddha were contained.

This seven stepped structure is also characteristic of Egypt. Its pyramids almost invariably have seven steps, even though these may been hidden under the smooth outer cladding.

As we see, both in Indonesia and in India, pyramids fit the local traditions and the local geography, in contrast to Egypt and Mesopotamia, or even the Americas, where they make no sense at all, and where archaeologists still argue whether their purpose was to serve as tombs, cenotaphs, temples or whatever.

The symbolism of Borobudur centers on the gradual revelation of the several levels of reality to the initiants, more or less in the way the Egyptian temples did, as explained above.

It was meant to enlighten the visitor and to cause his spiritual progress, as he ascended gradually and finally reached the summit. The monument proclaimed the unity of the Cosmos permeated by the light of Truth.

For, after all, ten is the number of Indian Atlantis, just as seven is the one of Paradise Lemurian Atlantis. The Wat is an enormous pyramidal complex of some x m2.

The complex is surrounded by a vast cloister and is approached from the west. This is done via a monumental paved road built upon a causeway delimited by balustrades formed from standing serpents nagas.

These Nagas symbolize the Cosmic Pillars that support the world, and which are the Eastern counterparts of the Titan Atlas.

The reference to Atlas suggests an undeniable connection with Atlantis. The Wat rises in three concentric enclosures that define three courtyards, as in the Jewish and the Egyptian temples discussed above.

The symbolic meaning of the Wat pyramidal complex is clear to specialists. It corresponds to the Polar Mountain Meru , the hub of the universe.

The central shrine corresponds, as in Borobudur, to the supreme reality, while the lower levels, the gate complex, the cloister, the city of Angkor and the outer world represent, in descending order, the outer shells of reality.

The orientation of Angkor Wat towards the West represents the fact that it was a mortuary temple. The Angkor Thom is even more grandiose than Angkor Vat.

Like its predecessor, it replicates the sacred city of Paradise Lanka , built upon the slopes of Mt.

The city was in turn, also a symbolic replica of the Cosmos, on whose shape it was designed. This symbolic universe follows Hindu Cosmological doctrines.

When possible, the kings of Angkor utilized natural hills for the construction of their holy cities.

When this was impossible, they built artificial mountains in the shape of stepped pyramids like the beauttiful ones of Angkor Thom and Angkor Vat.

The central pyramidal complex of Angkor Thom, the Bayon, is the biggest though not by all means finest of them all.

Within the moats of Angkor Thom, fully 16 km around, lie the huge complexes of buildings and of barays dams , lakes and irrigation channels that formed the sacred city, its temples, houses and palaces.

The plan and conception of angkor Thom are both grandiose. Meru , and spreading in successive waves from it. This plan is based in the Cosmogonic myth known as The Churning of the Ocean of Milk and, even more exactly, in the lotus-like mandalas such as the beautiful Shri Yantra.

The two monumental roads leading to the central tower of Angkor Thom are lined with a mile-long road of divine personages pulling on the body of the Serpent Shesha Vasuki in a giant tug-of-war, exactly as in the myth just mentioned.

The serpent is coiled around the Polar Mountain Meru that served as the giant churning stick activated by the devas and the asuras.

The two parties pull on opposite sides of the churning rope which consists of the immensely long body of the Serpent Shesha.

Below, at the bottom, lies the Turtle Kurma , that represents the Paradise sunken to the bottom of the Ocean of Milk in consequence of the war. The complex of Angkor Thom is also decked with lakes and ponds and fountains representing the healing waters of Paradise called Barays.

These symbolize the Fountains of Life that are the central feature of Paradise everywhere. Another important myth illustrated in Angkor is the Legend of the Leper King and his magic healing by means of these wondrous waters which are no other than the Elixir.

This ancient Hindu myth somehow passed into Christianity, where the Leper King is identified with King Abgarus and his magic healing is attributed to the Holy Sudary, the actual image of Christ obtained by equally magical means.

There can be no doubt that the legend of the Leper King originated in the Indies. There it dates from times well before the advent of Christianism as a religion on its own.

This serves to prove the force of diffusion of myths, legends and religions traditions from earliest times and from the most remote regions of the world.

Hence, it should not come as a surprise to find out that a similar diffusion also took place for the far more important traditions concerning Atlantis and its destruction at the dawn of times.

It was precisely the destruction of Paradise that forced the survivors to come out from Eden and move into distant regions of the world to which they brought the light of their civilization and their beautiful religion.

There can be no reasonable doubt then that Religion and Civilization developed in Paradise, just as our myths and traditions affirm. From there, after its destruction it was handed down to us by the survivors of the Atlantean cataclysm.

They appeared to us primitives as the gods the angels, the saints, the heroes and the demons that are invariably mentioned in all ancient traditions.

Hence, just as the Hindus philosophically affirm, there are evils that come to good. And we also see that Catastrophism is indeed a fundamental aspect of Evolution, despite the skepticism of the academicians imbued with the arrogance of the science they mistake for Wisdom and, often, for Compassion.

Creation spreads from its Cosmic Centers due to the impact of bangs and catastrophes such as the one that destroyed Atlantis and caused the end of the Pleistocene Ice Age.

Such is the idea embodied in the Shri Yantra and in the Kalachakra mandalas that are precisely the graphic expressions of the doctrines of Tantrism and of Kalachakra Buddhism.

Hence, we see, much to the surprise of most of us, that Religion is indeed Wisdom, and that it is invariably far more right and truthful than Science.

Truncated pyramids and obelisks are a constant in Egyptian symbolism. This symbolism has passed into Masonic ones, and a topless pyramid figures in the Great Presidential of the U.

Such is also the symbolism of the stunted pylons of the Egyptian temples as well as the one of their archetypes, the gopuras of Hindu ones. In reality, the pylons of Egyptian temples represent the Triple Mountain Trikuta , the true archetype of Mt.

Such is indeed, we repeat, the symbolism of the imposing pylons that invariably garnished the entrance of Egyptian temples of Ramesside and later times.

The same symbolism was also expressed by the two obelisks that very often also figured before the pylon itself. As we discussed further above, the two flagpoles that also decorated the pylons of Egyptian temples likewise corresponded to the two Pillars of Hercules.

The Celestial Twins are represented in the Zodiac by a pair of parallel poles, another symbol of the Pillars of Hercules. The Dioscuri are copied, almost verbatim, from their Vedic archetypes, the Ashvin Twins.

But these two founders of the world are no other than the archetypes of Krishna and Balarama and, hence, of Atlas and Hercules.

Having become an Atlantean Bar, it was found that the enlarged design compensates and balances, or harmonizes the cosmo-telluric energies in an area.

If the area contains cosmo-telluric disharmonies, such as negative earth energies, then the device will bring balance between the cosmic and telluric energies, making the place healthy again for living beings.

Such an enlarged, flattened Atlantean Bar, made out of wood, is placed on the floor and oriented with the magnetic north-south axis.

If you know how to dowse, you can rotate the bar until you find an angle at which it will be more effective. He also put a metal sphere on the bar, probably for enhancement of its action: This waveform whose exceptional properties has been used in the "Luxor", which has the same qualities as the balancing Egyptian ring fig.

The shape was made mobile by fixing it at the center of a circular plate, which is further divided into degrees, representing the full range of vibrations.

Its function is to capture the cosmic energy, absorbed by the waveform, and radiating it according to the frequency on which the form has been set.

The mobile platform is equipped with a fixed copper snail, and a compass to obtain a precise orientation of the stabilizer in the direction of magnetic north.

One of its points, marked in black, should be placed along the vibratory degree marked on the board the role of the snail is the magnetic amplifier.

The action of the device is theoretically effective in a limited area of 20 to 30 meters around its axis, but practically it will be effective within a radius of 15 to 20 meters.

As you may know Dineke Jongepier is a gifted radionics practitioner. That could be someone else subconscious , but also a collective unconscious field, or Akashic records which are present in one of the subtle fields of the Earth where all memories are stored.

After I had asked to tune into the Atlantis Symbol, from the article below, Charles and Dineke Jongepier gave their answer: They are indeed both from Atlantis and even from the period of the end of Atlantis - very special.

The Bovis value of both images represent the highest Divine value of 23, units and more. Both symbols resonate with the highest dimension to our tables on the dimensions, namely the 18th Dimension.

The energies of the images have the highest magic power and the measurement indicates: So they are very powerful images whose action also is gifted in our time with the Supreme Divine Energy.

By occasion, Dineke will measure what these symbols have been used for. Possibly for healing or time travel to other dimensions.

We'll get back to that! The following is based is based on an article that appeared in a Dutch news letter called Malva Regristatie, in The Atlantis Ring is said to be a personal object in the sense that it slowly but surely adjusts itself to the body energies of the wearer.

The Atlantis Ring protects its wearer from negativity from outside influences. It promotes intuition, protects against accidents and prevents dysfunction of the aura.

It is like a shield for the wearer, which allows positive energy and wards off negative energy. It helps in addition to one's spiritual growth.

It helps you discover who you really are and who you really want to be. The following are observation of Leny van Kroonenburg, a psychic from Holland who can see the human aura or energy field.

I am a regular attendant on all kinds of alternative health fairs. Although I do not really have pay much attention to jewelry, I was attracted like a magnet to a stand with rings that were touted as the magic Atlantis Ring.

Since I already see auras from my birth, I'm not easily impressed by all kinds of products to which a so-called energy value is assigned.

Half of the exhibitors do not know what they are talking about. There is a lot of nonsense being sold! But this ring was exerting its influence on me from a large distance.

It had a beautiful appearance energetically. The first thing the ring does and it works not only on me, but on everyone who wears the ring is that it allows people to make a better contact with the ground.

It makes this much firmer. Another effect is that I can make a much better contact with the blueprints which are stored in the outer layers of the aura.

These blueprints contain information about how both our health and our mental wellbeing in principle ought to look.

If you have been injured, that is visible in the inner layers of the aura. In the blueprints you can however see if that damage is permanent, or that healing is possible.

Sometimes recovery from an injury is postponed or the wrong treatment has been given, by which the injury start to become 'normal' to the person.

This applies not only to physical problems, but also for emotional and psychological problems. When the connection to the outer layers is disturbed, then one will experience a lot of trouble to get better.

Doctors will say that you should have been better sooner. The Atlantis Ring brings a better contact with these blueprints, by which healing can start to occur.

In the beginning I thought that this was the specific effect of the ring. I started to look what happened to other people in their aura who were wearing the ring.

I came to the conclusion that this is not the only effect. What I always saw happening was that by wearing the ring, a rearrangement of the aura takes place.

The different layers start to resonate with other in a much better way. Within a layer, we keep problems in place by holding various colors in a locked position as it looks to me at least.

The ring makes these colored tensions move out to where they can be processed. In short, everything goes to a better place. As a result, talents which we are not sufficiently aware of and that we haven't used properly, become stronger and more conscious.

Apart from the above-described operation, everyone will experience the effect of the ring differently.

This depends on your character type. Some people are more emotional, others are more mentally and others more physically set.

For example, you become more emotional, or you feel that you are becoming better with expressing emotional life,; or you become more relaxed mentally, or you can express yourself more physically.

In short, the different experiences that people experience, are not caused by the ring, but by our different characters. This means that the action is a very personal experience.

Although it is claimed that the ring would possess protective properties, I did not notice that. What i think happens is, that by the ring, one starts to become more coherent in one's energy and therefore one becomes more intuitive, and thus one is able to handle difficult situations much better than before.

It is my personal choice. Although it is said that the material of which the ring is made, does not matter, I experience myself that the silver version has a lesser effect and and is less refined.

I observe this also with others. Another observation is that the ring gives a totally different effect when it is worn on the right or on the left.

Wenn wir uns buddhistischen Bildern zurückwenden, finden wir ein bemerkenswertes Bild von Meru. Wie ein Fluss den Ozean findet, so glaube ich, wird die Geschichte von Atlantis zu einem Sternentor, das in den kosmischen Ozean führt. Im Gegensatz zu Aristoteles hielt Crantor ca. Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Im frühen Buddhismus gab es nur symbolische Darstellungen von Buddha. Diese Fullereder oder Buckyballs kennen wir mittlerweise auch als die molekulare Struktur des Minerals Schungit. Als Platon diese Geschichte wiederholte, entfesselte er eine Idee, die Gedanken verändern kann. Wie ein psychologischer Engel oder Dämon, der in die tiefsten Vertiefungen des Unterbewusstseins verbannt wurde, wird er wieder auferstehen. Interessanterweise werden sowohl Jesus als auch Atlantis durch ein Kreuz symbolisiert. Es ist der grosse Phönixvogel der Mythen, der immer wieder neu geboren wird. Auch hier wird der Berg Meru als die zentrale Achse betrachtet, die die Welt unterstützt. Bemerkenswerterweise beschreibt Plato die Erde als ein dreidimensionales, pentagonales fünfeckiges Netz, in das sich die Seele verkörpert.

Atlantis Symbol Video

Atlantis Part A: Fish Symbol, Rock Examination,

These light beings were said to come from the Pleiades and were called tla , which Henry related to the word tula , an ancient name for Atlantis.

The horrifying collapse of New Orleans give us a glimpse of what Atlantis might have looked like during its demise, which could have happened quickly or occurred over decades, said Henry.

He agrees with Dr. Paul LaViolette's theory that Atlantis was destroyed by a "galactic superwave" which originated from the center of the galaxy and may have triggered unusual solar activity.

He also discussed how the symbol for Atlantis resembles a vortex or wormhole. He also discussed the 'One-Footed Snorkel Monster,' case.

For more, check out a set of images William sent us. First hour guest, astropsychologist and seer Dr. The prediction he made was that around "September 26th-- the same energy that produced Hurricane Katrina will arise again, forcing thousands of people to evacuate an area.

Turi said that energy from Uranus is playing a part in the turbulent weather we've been experiencing. Meru, itself pyramidal and indented at the center of its four faces like the Great Pyramid.

These troughs and their waters correspond to the Four Rivers of Hindu Paradise which flow from the top of the Holy Mountain along the four Cardinal Directions.

This shape is also the classical one of Eden, as described in the Bible and in works such as these of Flavius Josephus. The Judeo-Christian Paradise was visibly copied from Indian traditions, which are identical, but are far older than Judaea itself.

This figure reproduces a very ancient Sumerian seal, and the motif originally dates from about 3, BC or possibly even earlier.

The indentations in question transform the pyramids into stars, and indeed allude to the Pole Star rather than the Sun. They are a feature not only of the Egyptian pyramids or their Babylonian counterparts just discussed, but also figure, say, in the Chinese pyramids which we discuss elsewhere.

The Temple of King Solomon is purely legendary. But its idealized architecture is obviously derived from the Phoenician one, as it was built by Hiram, a Phoenician.

It can be reconstructed from the fairly accurate biblical descriptions, as well as from archaeological remains of temples such as the ones of Herod, the Great, and the Phoenician temple of Tall Tainat Syria , dated at about 1, BC, the epoch of King Solomon.

In the front there was the monumental gate giving access to the vestibule or introitum. This, in turn, led to the temenos or court, built as a sort of hall.

Next, at the bottom, we had the holy of holies with the square plan characteristic of the Holy Mountain. This inner sanctum was closed by a curtain, and access to it was denied to all but the high priest.

An interesting description of the ideal temple of the Hebrews is the one of Ezekiel ch. This account closely parallels that of Revelation concerning the Celestial Jerusalem ch.

Meru of Hindu traditions. There was, at the top of the Holy Mountain, just as in the Hindu traditions concerning Lanka, a holy city the Celestial Jerusalem.

This wall was square and was aligned with the Cardinal Directions, having a gate on each of its four sides. It delimited a court paved with stone on which were built thirty chapels and an inner court, on the south side.

The adytum temple proper was square and had two pillars in front, each 6 cubits about 3 meters broad. The temple was of enormous size canes or meters on a side , being square in plan probably cubical or pyramidal.

It was surrounded all around by a wall that isolated it from the court destined to the public. The inner sanctum was decorated with palm-trees and cherubs, motifs that are allegedly of Mesopotamian derivation, but which ultimately originated in Hinduism.

When one carefully compares the underlying symbolism of these strutuctures from different corners of the world, their unity of shape, conception and purpose becomes self-evident.

The city-temple just described is indeed an allegory of Paradise. More exactly, it represents Lanka, the Celestial Jerusalem that was the archetype of its biblical counterpart.

This Sacrificial Mountain is, as usual, an allegory of Mt. These twin pillars indeed commemorated, as they did in Gibraltar, the strait that led into Paradise.

The two pillars also correspond to the twin obelisks invariably posted at the front of Egyptian temples. The inner sanctum of the Temple was a cube of about 9 meters on each side.

This structure evokes the Kaaba of Meccah, whose name and shape are those of a cube. But, as usual, the cubic structure is just a variant of the similarly shaped pyramid.

The fancy capitals of the pillars Jachin and Boaz were all decked with lilyworks and pomegranates, in the traditional way used for both the Tree of Life and the omphali found all over the Mediterranean Basin.

This type of decoration, very much used in Egypt, ultimately derives from the Indies, as we discuss elsewhere. And they indeed represent Mt.

Meru submerged under the seas, with reeds and sargassos attached to it. The motif is famous in India, as we discuss elsewhere. The interior of the holy of holies was all lined with cedar wood imported from Ophir by Hiram and his men.

Cedar, was an exclusivity of the Indies in antiquity, and had to be imported from there by both the Hebrews and Mesopotamians, as well as by the Egyptians, who loved its wood.

Despite its name, cedar was always a rarity in Lebanon and other regions of the Near East, where it was not native, but cultivated in memory of the primordial Paradise lost.

A parallel tradition in temple building and decoration existed in Egypt, whose sailors regularly went to the region of Punt their Paradise in order to bring the precious wood for the decoration of their temples and their palaces.

Such commercial expeditions to Punt cannot be doubted. They are recorded in detail since the Old Dynasty in Egypt, and extend to the times of Queen Hatshepsut, and later.

King Sneferu, the father of Khufu Kheops , brought from there a large shipment of meru wood, which sufficed both for his own needs and those of his famous son.

As innumerous traditions record, the original homeland of the Phoenicians of Lebanon and Syria lay beyond the Indian Ocean.

It was from there that they originally came, just as did the Jews and other nations, when their land was destroyed by a volcanic conflagration.

From their sunken Paradise in Indonesia, these proto-Phoenicians passed into India. Expelled from there, they moved to Egypt, where they are known to Egyptology as the Gerzean Civilization c.

Such sacred pools were an invariable feature of Indonesian temples. One such fountain also existed in the Temple of Ezekiel, and replicated the one of the Celestial Jerusalem Rev.

The Egyptian Temples also invariably had such a source either as a natural spring or as a cistern filled by the waters of the flooding Nile.

Such sources or cisterns correspond to the ghats of the Indus and the Ganges rivers, used even today in India by the worshippers.

They also correspond to the sacred pools excavated by the archaeologists in the site of the Indus Valley Civilization Harappa and Mohenjo-Daro , and which date from far earlier times than those of Solomon.

Even the Medieval cathedrals had, just as did the temples of Isis everywhere, such magical sources springing inside their underground crypts and filling their baptismal fonts.

As a matter of fact, the early Christian cathedrals were almost always built upon the ruins of the temples of Isis which abounded everywhere in Pagan Europe.

Such was the case, in particular, of the cathedrals of Rheims, of Chartres, and of Notre Dame, among many.

Even in the Americas we find precisely the same conception of barays placed on top the Holy Mountain of Paradise. For instance, the famous Incan pyramid of Akapana Peru-Bolivia border had a huge cistern water reservoir at the top.

This reservoir fed a sophisticate network of hydraulic facilities used in irrigation and internal plumbing of the other buildings, in a way that closely parallels the similar devices of the Egyptian temples which we mentioned above and elsewhere.

The two enormous Cherubs that guarded the Ark placed inside the inner sanctum of the Temple, enwrapping it with their wings II Chr. They also recollect the twin winged guardians or cherubs that guarded the Tree of Life everywhere.

The cherubs of Israel, of Phoenicia, of Crete, and of Mesopotamia also corresponded to the Egyptian sphinxes, and were often represented as such guarding the Tree of Life, just as the Great Sphinx of Giza guards the Great Pyramid.

The two cherubs may well be the two kas doubles or souls of the twin gods Osiris and Seth, etc. These, in turn, are identified to the twin obelisks of the Egyptian temples and their twin pillars or pylons which represent the twin Holy Mountains of Paradise.

The temples of Luxor and Karnak see Fig. The entire area was surrounded by a rectangular wall that delimited a holy court the temenos. In front, stood a monumental gate or pylon flanked by two tapering towers which formed its jambs.

These twin pylons had a truncated pyramid shape, as can be seen in Fig. This pylon led into a colonnaded room called the hypostyle hall illuminated by means of small clearstory windows.

Through this hypostyle room, the inner court was reached via two other pylons and a series of halls.

At the far end of the inner courtyard was the temple proper or inner sanctum , dwarfish in comparison to the huge pylons and hypostyle rooms.

The layout was monumental in style and developed along a central axis aligned with the Cardinal Directions in most cases.

The processions, typical of the Egyptian liturgy, took place along the center axis of the temple. This type of temple developed during the Ramesside period and continued essentially unchanged until the end of ancient Egypt.

As usual with Egyptian and Hindu temples, the complex was built by several succeeding monarchs. The former constructions were, however, eclipsed by that of Ramses III, who turned the temple into his mortuary temple.

This gate led to the front of the temple where we have the sacred pool and the small temple of Tutmoses. Next comes the huge pylon of the temple shown at the center of Fig.

This pylon leads into the outer court and, at the left, the Royal Palace possibly a temporary abode of the King during his stays at the place.

Next we have the second pylon with its two guardians. This pylon leads into the inner court which has, at the rear, the vestibule of the great hypostyle hall.

This, in turn, leads into the Inner Sanctum and exits to the great northwestern formerly western Gate. The sacred pool was, as we said further above, the invariable feature of Egyptian temples.

In all probability they were used, as in India and elsewhere, in purificatory ritual ablutions akin to Baptism.

The imposing structure of the Ramses III temple is closely reminiscent of that of Atlantis and its lofty towers. Except that the square shape Terrestrial replaces the circular geometry Celestial of its Paradisial counterparts.

Besides the lofty crenelated watchtowers that were a typical characteristic of Atlantis and its many aliases Hades, Lanka, Abzu, etc. In this temple complex, which is indeed a replica of Paradise, the river Nile replaces the River Oceanus that surrounded Atlantis in the Greek myths.

The River Oceanus was a direct replica of Hindu archetype, the Vaitarani. We should recall that the Atlantic Ocean was, originally, deemed to go round the whole earth.

This was the sense in which the name was used by the ancients, including Herodotus, Plato and Aristotle. But modern users applied the name only to the western portion of the Atlantic Ocean, forgetting its eastern moiety, the Indian Ocean.

Once this essential difficulty is realized, the solution of the riddle becomes real easy and natural, as we argue in detail elsewhere. The temple of Ramses III was built as a mortuary complex in order to commemorate the fact that Atlantis too was dead, just as was its great god Osiris, Atlas, Shiva, Poseidon.

It is no coincidence that the Oriental Gate, the main entrance to the temple of Medinet Habu, opens to the southeastern direction.

In fact, it points to the direction of Punt or Amenti Indonesia to be reached by heading in this exact direction along the Red Sea and beyond.

This point is crucial, for it indicates that Amenti lay, in contrast to what its name suggests, to the south rather than to the west of Egypt.

The triple girding wall of the temple of Medinet Habu was, as we said above, mentioned by Plato as a feature of Atlantis. This coincidence suggests that Plato indeed obtained his information concerning Atlantis from Egyptian sources, just as he claimed in the Timaeus and the Critias.

Why would the great philosopher lie in such holy, fundamental issues, so important to the humanity to whom he devouted his life to enlighten?

The Egyptian temples were verbatim copies of Hindu temples, themselves replicas of the Atlantean Paradise. This City Pure Land is illustrated in the so-called Kalachakra mandalas, and its triple wall trimekhala , in Sanskrit is its most characteristic feature.

By the way, the Celestial Jerusalem is also traditionally equipped with a triple wall, like Atlantis. Pylons are, according to this erudite source:.

Massive ceremonial gateways Egyptian bekhenet consisting of two tapering towers linked by a bridge of masonry and surmounted by a cornice.

Rituals relating to the sun-god were evidently carried out on top of the gateway… The earliest known pylons may have been constructed in the pyramid complex and sun temple of the 5th Dynasty ruler Nyuserra AC ….

Many [pylons] also contained internal stairs and rooms, the purpose of which is uncertain. Pylons were frequently decorated with reliefs enhanced with bright paint and inlays, in which the scenes tended to emphasize the theme of royal power… The most common motif on the pylon was that of the king smiting foreign enemies or offering captives to a god.

Many important temples had only one pylon, but the more important religions complexes consisted of long successions of pylons and courtyards, each added or embellished by different rulers; the temple of Amun in Karnak, for instance, had ten pylons.

In the unusual temples dedicated to Aten… the pylons consist of pairs of separate towers without any bridging masonry between them.

The towers were, each, identified with the goddesses Isis and Nephthys. The Gerzeans were probably Semitic, probably of proto-Phoenician stock, to judge from their symbols and their white, bearded figures.

The Gerzeans invaded and conquered Upper Egypt, where they became established down to the start of dynastic period, when they were apparently expelled by King Menes, the unifier of ancient Egypt.

Gerzean vase decorations are rather unique for their epoch. As can be seen in Fig. These decorations also include a dancing naked goddess, the ithyphallic twins, palm-trees, twin pylons, peaked volcanic mountains, standards and streamers.

Other vases not shown display a hilly foreign country Punt? As we explain elsewhere in detail, these strange decorations are all typical Atlantean motifs.

This ship is the same as the Holy Barque of the Egyptian temples. It is also the Celestial Ship, the Argonavis constellation, as well as the Ark of Salvation, the Argos ship, and so on, as we adduced further above.

Likewise, the twin cabins shown at midships of the vase decoration of Fig. So, they too represent the twin Pillars of Hercules, the Gates of Paradise, that is, of Atlantis, as we already said.

The fact that they represent the twin mountains of Punt Paradise is directly indicated by the hieroglyph of the twin mountain on top the two cabins and on the standard of the ship.

Again, the ithyphallic twins represent Atlas and Hercules and, more exactly, Seth and Osiris, their Egyptian counterpart.

If this interpretation is correct, we see here the antecedents of these important Egyptian gods, as well as that of the Tale of the Two Brothers, famous in both Egyptian and Phoenician mythologies.

The Dancing Goddess is another important, universal motif. In reality, the Goddess personifies the Cosmic Yoni, the Submarine Fiery Mare of Hindu myths, the gaping abyss opened by the cataclysm, and which is no other than the giant volcanic caldera of the volcano that destroyed Atlantis.

The palm trees are again connected with Atlantis. This name is a translation of the Hindu name of Atala, which means the same thing in Sanskrit.

The streamers and standards again identify Punt with Atlantis and, more exactly, with the Indonesian sunken continent.

They are the glyph of Punt, as well as the symbol of the Pillars of Hercules in Phoenician traditions. The above comments are very enlightening in what concerns the symbolism of the pylons of Egyptian temples.

In fact, as we already said, the twin peaks of the Mountain of the Orient and the Occident which is so prominent in Egyptian and in Phoenician mythologies, ultimately derives from the Hindu traditions on Mt.

Meru, called by precisely these epithets in India. This is the old Horus Aroeris , the brother or alias of Osiris, in contrast to the new Horus Harpocrates , the son or renewed avatar of Osiris.

They also represent Orient and Occident Rustu and Amh. In reality, as we explained above, the Mountain of the Orient represents Trikuta, the three-peaked mountain on whose top Lanka, the capital of the Atlantean empire, was edified.

As we said, the central peak of Trikuta sunk away, becoming the giant submarine caldera of the Krakatoa volcano that separates the islands of Java and Sumatra.

Hence, the Triple Mountain became the twin pylons, the equivalents of the two Pillars of Hercules. The central peak, Mt. In reality, this Gate of Heaven is no other than the maritime Strait of Sunda, in the Orient, replicated by that of Gibraltar in the Occident.

Together, they form the Four Pillars of the World which the Egyptians allegorized as the four legs of Hathor as the Celestial Cow or as the four members of the goddess Nut posed on the ground, as illustrated in our discussion in Part I of this work.

Almost invariably, the pylons of Egyptian temples were decorated with bas-reliefs showing the king the alias of the god striking down masses of prisoners in a display of his power.

The king has a raised arm wielding the mace with which the strikes down his victims. Again, this motif is, far more than just a decoration, indeed another allegory of the destruction of Atlantis.

As shown in the pylon of Medinet Habu Fig. This triple-peaked mountain, often with the central summit represented explicitly or, conversely, symbolized by a stunted, sunken down portion is also represented in the triple spires of Christian cathedrals and churches.

In particular, the triple structure is visible, and so is the separation into an outer courtyard for the gentiles and an inner one for Israel and the priests.

A third inner court was reserved for the women hierodules? The holy of holies or inner sanctum was separated by a curtain from the outer sanctum.

Only the high priest could enter this most sacred precinct. There is yet an important point connected with the symbolism of the Temple of Jerusalem: This number is precisely the one of the independent realms composing the Atlantean empire, according to Plato.

The Sea of Bronze of the Temple had a diameter of ten cubits. Hiram built ten bronze basins and ten carts for them, so that they could be easily moved around is order to be used in ritual ablutions.

The width of the Temple was twenty cubits about 10 meters and its inner sanctum was a cube of about 10 meters on a side 20 cubits.

The vestibule of the inner sanctum was also a cube of about 10 x 10 x 10 meters 20 cubit on a side. The altar was 20 cubits on the sides and 10 cubits tall, that is, a half cube of about 10 meters on a side.

Ten was indeed the sacred number of Jahveh the Ten Commandments, etc. Hence, it is not unreasonable to suppose that there was a connection between Jahveh and his Temple with Atlantis and its ten realms.

The flags shown in the Ramses temple of Medinet Habu Fig. The ensign or banner also came to symbolize, in the ancient world and, in particular, among the Phoenicians, the same as the Pillars of Hercules.

These are often represented by a pair of flagstaffs or beams, on whose tops were hung flags or hanging strips of cloth.

The strip of cloth banner, streamer, etc. Hercules, the personification of the pillars that bear his name, invariably wore a bandolier or stole which was the alias of the connecting strip of land that linked his secret realm to the continent.

In reality, we had two pairs of Pillars of Hercules, precisely as shown in the outer pylon of the temple of Medinet Habu Fig. One pair corresponded to the illusory pillars of Gibraltar and the other pair to the real ones that flank the Strait of Sunda, in Indonesia.

In contrast, at the inner pylon see Fig. This gate, accessible only to the initiates, represents the actual reality that the two pairs are indeed only one.

The message is clear. One has first to cross the virtual gate of Gibraltar in order to reach the second gate or pylon that accesses the real Paradise, here figured by the multitude of pillars of the hypostile chamber that represents Atlantis.

In front of the jambs of the second pylon of the Temple of Medinet Habu Fig. These two guardians, either seated or standing, were an invariable feature of Egyptian temples.

They represent the two cherubs that guard the entrance to Paradise itself. That they do not indeed represent the pharaoh is attested by the fact that these gods are twin, whereas the pharaoh was the monarch, the single ruler of both Upper and Lower Egypt.

These two Guardians correspond to what the Hindus call Lokapalas or Dvarapalas. They often change into lions, karibus, sphinxes, standing serpents nagas , dragons or similar monsters.

The inner court is elevated, and is accessed by means of stairs, as can be seen in the reconstruction of Fig. Meru that is everywhere represented by stepped pyramids.

The shape eventually evolved into that of smoothed out constructions. The Destruction of Atlantis, for military concert band in The song Atlantis by Scottish singer Donovan described Atlantis and its hypothetical fate.

It charted in several countries, reaching 1 in Switzerland in and as high as 7 in the United States. Paintings of the submersion of Atlantis are comparatively rare.

It is a mountain-top view of a rocky bay breached by the sea, which is washing inland about the tall structures of an ancient city. A streak of lightning crosses the upper half of the painting, while below it rises the impassive figure of an enigmatic goddess who holds a blue dove between her breasts.

Vyacheslav Ivanov identified the subject as Atlantis in a public lecture on the painting given in , the year it was first exhibited, and he has been followed by other commentators in the years since.

Sculptures referencing Atlantis have often been stylized single figures. It represents a single figure, clad in a belted skirt and wearing a large triangular helmet, who sits on an ornate throne supported between two young bulls.

As a result, a portion of the population will mutate into fish-like creatures. Global warming and rising water levels are practical problems for the world in general and here in the Netherlands in particular".

From Wikipedia, the free encyclopedia. Redirected from Ancient Atlantis. For other uses, see Atlantis disambiguation. Plato from Raphael 's The School of Athens — Location hypotheses of Atlantis.

Atlantis, according to Plato, had conquered all Western parts of the known world, making it the literary counter-image of Persia.

See Welliver, Warman Its Purpose and Its Moral". One Continent - Reward". Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology Seventh ed.

The Anatomy of a Fiction". In Cleary, John J. Archaeologists broadly agree with the view that Atlantis is quite simply 'utopia' Doumas, , a stance also taken by classical philologists, who interpret Atlantis as a metaphorical rather than an actual place Broadie, ; Gill, ; Nesselrath, One might consider the question as being already reasonably solved but despite the general expert consensus on the matter, countless attempts have been made at finding Atlantis.

Philosophy and the Formation of Fiction in Plato's Republic". Journal of Hellenic Studies. In Ramage, Edwin S. Atlantis, Fact or Fiction?

Oxford Journal of Archaeology. Bury translation Loeb Classical Library. Translated by Benjamin Jowett. Retrieved 16 August Atlantis och Syrakusai , ; English: Atlantis and Syracuse , A and Renfrew, A.

Moreover, the country which skirts the ocean bears, they say, not a few names which are derived from the Argonauts and the Dioscori.

Franke, Aristotle and Atlantis , ; pp. On the Eternity of the World". Retrieved 24 October On the Pallium Tertullian ". Fathers of the Third Century: Translated from the Greek, and Edited with Notes and Introduction.

The Antediluvian World , New York: Retrieved 6 November , from Project Gutenberg page Decoding the Counterculture Apocalypse. Retrieved 12 May Mexican Antiquity in the American Imagination, — University of Texas Press.

In Search of the Maya: University of New Mexico Press. University of Pennsylvania Press. London and New York: Studies in eighteenth-century culture.

Retrieved 29 September Edgar Cayce on Atlantis. New York and Boston: An Archaeological Companion and Guide. Retrieved 17 January Belin — pour la science, Isola dei Faraoni Atlantis Sardinia: Island of the Pharaohs.

Deciphering the Atlantis legend , New York: New York City, New York: Journal of Archaeological Science. Historia y ciencia in Spanish. The Evidence of Science.

Petite histoire d'un mythe platonicien in French. Scaillet, , Fluvial dissection, isostatic uplift, and geomorphological evolution of volcanic islands Gran Canaria, Canary Islands, Spain Geomorphology.

Cilleros, , Evidence for long-term uplift on the Canary Islands from emergent Mio—Pliocene littoral deposits. Global and Planetary Change.

Wilson, , Deep-sea tephra from the Azores during the past , years: Geological Society of America Bulletin. Department of Archaeology, University of York.

Retrieved 19 April Archived from the original on 7 July Retrieved 10 July Archived from the original on 15 March Retrieved 13 March Mysterious and forgotten cultures of the world.

Retrieved 14 March Rivista Italiana di Paleontologia e Stratigrafia. Archived from the original PDF on Retrieved 18 March Petermanns Geographische Mitteilungen in German.

A key to some basic problems of earth science. Man's doing or nature's? Archived from the original on 10 November Retrieved 3 October The lost land of Lemuria: University of California Press.

An Authentic Oral Tradition? Robert as part of a separate epic, which he calls Atlantis. See Carl Robert Eine epische Atlantias , Hermes , Vol.

Nachahmung und Parodie', Göttinger Forum für Altertumswissenschaft , vol. Jahrhunderts , Vienna University , pp.

Ancient sources Plato , Timaeus , translated by Benjamin Jowett at Project Gutenberg ; alternative version with commentary. Plato, Critias , translated by Benjamin Jowett at Project Gutenberg ; alternative version with commentary.

Modern sources Calvo, T. Symposium Platonicum in Granada September The Making of Myth.

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